Study with Jihan

Classes & workshops

Structured, no-nonsense training in Egyptian dance and corporal development — from your very first class through to performance level.

Study with me

How to join a class

Group classes

The Art of Bellydance

All levels welcome, beginner through performance. Technique, repertoire, and an introduction to finger cymbals, with an emphasis on port de corps — the carriage of the body.

Terms run in blocks through the year. Get in touch for the current timetable, venue and fee.

Ask about the next term

Ongoing

Private coaching

One-to-one sessions by arrangement, in person in Miami or online.

Suitable for dancers preparing for performance, competition or professional work, and for teachers developing their own material.

Enquire about availability

The quickest way to find out what’s running is to send me a message or call 305-342-5458. I answer everything myself.

For studios, festivals and organisers

Workshops & master classes

I am available to teach intensives worldwide. Each can be tailored in length and level, from a two-hour master class to a full weekend series.

Cairene Milaya Liff

The wrap-and-tease folk dance of Alexandria and Cairo — its history, its coquetry, and the handling of the milaya itself.

Extreme Baladi

The heart of the Egyptian street. Awadi structure, the baladi progression, and the earthiness that makes it unmistakable.

Dances of the Awalim

The awalim were the educated, trained performing women of 19th-century Egypt. Traditional steps, choreographed patterns and finger cymbals.

Khaleeji

Women’s dances of the Arabian Gulf — the hair, the thobe, and the particular joy of the form.

Egyptian Folk & Theatrical Dabke

Saidi, fellahi and the Levantine line dances of Lebanon and Syria, staged for the theatre.

Unveil the Woman

For women only. A dance and creative-process workshop developed since 1987, fusing Near and Middle Eastern women’s dances with interpretive movement.

Jihan Jamal's class with live musicians, December 2018
Class with live music — Tony Tahan on keyboard, Fadi El Sabeh on percussion. Miami Dade College Kendall, December 2018.

What to expect

How I teach

You will learn the structure of each dance alongside its cultural and regional background — and the social, religious and political history that shaped it. Steps without context are just choreography.

Expect real technique. Expect to work on posture, carriage and stage presence as seriously as on hip work. Expect the music to matter.

Beginners are genuinely welcome. So are teachers.

What to bring

  • Comfortable clothing you can move and be seen moving in
  • A hip scarf, if you have one
  • Finger cymbals, if you have them — not required to start
  • Bare feet or soft dance shoes

Ready to start?

Tell me a little about your dance background and what you are hoping to work on.